We extend our deep appreciation to all who have participated in the celebration of the Joaquín Nin-Culmell centenary and in the development of this web site.

IN SPAIN we say thank you to:

Lluis Juste y de Nin for all you have done and continue to do, and for your lovely "Letter from Barcelona"

Mònica Pagès for being a super-coordinator of the centenary

Jorge de Persia and Xosé Aviñoa for their contribution to the exposition

Anna Caballé for her article on Anaïs Nin

Alex Susanna, director of the Fundación Caixa de Catalunya

Josep Maria Ainaud, historian

Maria Luisa Cantos, pianist

Núria Viladot, director of Columna Música

Helena Mora, president of the Victoria de los Ángeles Foundation

Dolors Lamarca, director of the Library of Catalonia

Montserrat Bonet, choral conductor of several works of Joaquín

Yolanda Guasch, director of the Boileau publishing house in Barcelona which published the Quintet for piano and string quartet

The Ana María Iriarte Foundation and to Ana María Iriarte herself, for her constant and long term efforts and hard work to bring about, at long last, the production of "La Celestina"

Alejandro Inurrieta, Director of the Ana María Iriarte Foundation.

The Rosés family, especially Mercedes Batlló de Rosés and her daughter Cuca and son-in-law José María Bartumeus for their friendship and hospitality towards Joaquín who stayed in their home for so many years whenever he was in Barcelona. It was there where he composed his Tonadas and he began composing La Celestina.

IN FRANCE to:

Patricia Alía and Gérald Hugon, from the publishing house in Paris, Éditions Max Eschig, now Durand/Salabert/Eschig/ Universal Music Publishing Group.

IN UNITED STATES to:

David Thompson who designed and established the web page which preceded this one

Arlene B. Woehl for her stunning article "España me persigue"

Jennifer Melnick, designer of this web site

Ronald Broude, director of the Broude Bros. Limited publishing house, for his lavish generosity with the sheet music of Joaquínšs compositions making it possible for many fine pianists and choral directors to learn about Joaquín and to play his works for the public.

Benjamin Franklin V, for his permission for us to use the portrait of Joaquín at 16 painted by Paul Swan in Paris

IN MÉXICO to:

Charles Thorvald Nin, my dear brother, for his help in translations and many other things

Kitzia Nin, my niece, for her help in public relations matters